Round 3. I suppose there was a certain symmetry going on last night. The first audition brought very few people. The second a lot. The third…well, only the actors we asked to show up and give us a bit more came. Problem: we are one body short. Prefer it to be a man at this point; we’re women heavy (did not think I’d be saying that!). Hoping one of the actors can and will pull in some people. Messages are being sent out today, and we should know soon.
And I’m taking a role.
Yes, yes…I wanted it. I wrote it; I wanted it. I knew where I’d put myself in the mix, and that’s precisely where I landed: Elizabeth, mother of the girl who kills herself in act 1. The writer in me found it a bit odd. I began with Elizabeth, focusing on her sorrow. She was a very clear cut, in depth character to me. All I heard from the other actors, tho, was that she was tough to do. Difficult to get right. The director finally had me get up and read a scene as Elizabeth with another actor. It was a scene we’d been doing all three auditions, and no one really got Elizabeth. I, naturally, nailed it. I sat back down by the director and he leaned towards me: Yeah. No one can do Elizabeth like you.
Have been told the production will be in 2019, not this autumn. While a tad bit disappointed (do it, do it, do it!), overall I’m okay with that. I was worried about the timing, the push on the actors, the need to pull everything together in a few short months. Now I can stretch out. February, maybe March. We’ve time to find and buy a decent computer to do the recording on, everyone has plenty of time to rehearse, time to look for props, make-up, practice the fight scenes.
Best of all, tho, was the reaction from everyone when the news came out that we were one person short: concern, worry, real angst over the idea of not being able to perform this particular play. I was told by one actor how much she loved the writing because it wasn’t tied to any particular gender. Oh, man! Someone caught on to that!! I couldn’t be happier. They love the weirdness of it, they love the explosion of emotion in the characters. Eeee! If that’s what I get in a sample of seven people, I’m gonna be overwhelmed at the production. These things always follow percentiles. For instance, I consider it a good blog day if I get about 5% of my followers to like a post. That’s a decent sized percentile when you take all the variables into consideration. Positive feedback on work in person tends to be higher due to social pressure; people don’t like to say negative things (in general) in situations like that. They’ll find something positive to say, even if their hearts aren’t in it. But you can suss those people out. They’re the ones who give you a limp comment, half smile, nod, and then amble away. They never walk away. Too direct. They amble. Shuffle. Wander. Do their best to make it seem like they’re not leaving the conversation when in fact they are. Social pressure positives last night: zero. They may be actors, but none of them are good enough to sustain that level of interest for that long. I should know; I’ve watched them audition.
I am ready to grab life by the balls today. Get to the gym and do a full round of work. Tackle my homework. Smile, keep myself occupied and moving. I feel good.
Dare I say it? I feel so good even my bowels operated at peak efficiency. I almost took a picture of my morning dump because it was so damned shiny and perfect.
… Saw someone go down the grove last night. Two people, actually. Of course, that was just from one side of it; I didn’t see them emerge from the other side. They might have disappeared. My heart doubts it, tho. I think that thing can only emerge during certain times, or to certain people. I haven’t figured out the mythology yet. That’s my problem: I don’t know what I’m dealing with. It’s a puzzle I want to crack – or, from the audience’s perspective, create. And even if I never reveal my reasoning in any of my stories, I need to know it. Without it, you’ve got a story based on old hat scare tactics. If you don’t buy into the FX, you’re not frightened. With it, tho, you can scare the bejeezus out just about anyone.
😀 I like scaring people.
Ba-ba-de-doo-dah. So here’s something that’s bothering me a bit: I was told by the director last night that most people in my age group wouldn’t join our theatre troupe because they’d expect to be paid by this point. Either that or they’re real amateur, and expect very little from any production they’re involved in. Hmmmm. Yeah, I know. I should be getting paid for my work. I should be getting paid as a writer, too. I have been; I’ve got the cheque framed. But, you know – small cheque, and it was the only one (other than some meager royalties from my book sales). *sigh* I am not of the mindset to be financially successful with my art. I do it because I must. Because I love it. Because I want and need that surprise, interest, and support from people. And I’ve always felt that if my art is good enough, it will garnish the finances I need. Which is a double screw, because every time I’m not financially successful I tend to end up thinking my work is shit. But to purposefully hold out just for money… That doesn’t feel right. It makes me feel like a two bit whore.
That thought is so incongruous with my totally good feeling this morning that I reject it utterly.
I’m good, right where I am.