A whole new animal

Sorted through the umpteen million PDFs of writing opportunities I’ve got on my desktop. Good thing, too. While many are just getting catalogued – found them too late for this year, so I’m saving the info to have a head start on next year’s calls – a couple caught my eye. One call is for a 30 minute play due September 1. I can make that. I can write Night Witches and still make that. So now my schedule is sorted. First up, my radio script. Transferring it into Scrivener, a writing software designed to handle real projects: scripts – radio, theatre (US and UK), film – research papers, books. There’s so much in Scrivener I’m having a difficult time getting through the instructional information. Pretty sure I’ll pop for the full version. It’s loaded and it works on my older operating system. But I’ve gotta see what happens when I transfer in something I’ve already written. How much formatting will hold? Probably none. I won’t kid myself there. Good news is, formatting is the easiest (tho most boring) part of writing a script. So, in goes the radio script. Add a few things here and there for the next place I’m submitting to. Take a deep breath, ’cause there’s no break allowed – straight onto the 30 minute script. One month max for it while simultaneously reading the book on the Night Witches. Have time to schedule a read through with the local theatre group if anyone’s actually around during summer (other than me). Send it out, start writing Night Witches pronto. Leaving myself a couple of months to flesh in the story, call for a read through, and still have more than 30 days left to fix any problems and polish it up before I submit it.

Also just spent time thinking about my personal schedule. I’ve got this tendency to diss myself and everything I do – you might have noticed. So I counted. Counted the hours I spend exercising for my RA, the hours in language class, the hours for doctors and physio and dentist visits, and with a mere 4 hours given over to writing Monday through Friday I’m topped out at 40 hours a week. To take care of myself, and do a little bit of writing. 40 bleeding hours – full time shit. No wonder some part of me balks at volunteering time anywhere; must have already known I’m maxed out.

Rehearsals are called for next week Monday. Three hours in the evening slated to read through the entire play (all 4 skits) and talk about character development (or some such theatrical jargon that’ll make everyone feel like they’re involved and participating when it’s really the director giving instructions to actors too dense to understand their roles). Want to watch and listen with my writer’s perspective; I tend to distance myself emotionally from the situation when I fall into observation mode. I stay calmer because people become characters acting things out in front of me. They’re not mean or nasty towards me; they’re showing me a scared and callous side of themselves. Remember that! I intend on watching the girlfriend of the director closely. Big surprise she made the cut – not. At the moment, I’ve got her pegged as the biggest see-saw of the bunch: loudest mouth, most unsure about her talent (as am I; never seen her try to act), and most likely to get thrown off balance by something not connected with the production.

My head’s wagering on what’s gonna happen. This chick is the one who was disruptive during my reading. I think I’ve sussed out all the possibilities for that behavior. Now she’s got to deal with me in this production. Cold shoulder, or false best friend? How will she react? Odds are I’ll get the false best friend. Forced cheerfulness. Inclusion when possible in order to sneak in those barbs that can’t be called out because they’re too deep in entendre. Oh, yes. Been there, done that. It’s what I expect.

But I’m not the person I was thirty years ago. I’m not so easily disrupted. I’ve a few good foundations to cling to, to remind me of what’s true and what’s not. Don’t know what she expects of me. Maybe she doesn’t know either. What I do know is this: I believe I have the capability to handle whatever she throws at me and not lose my cool. Because one thing is absolutely clear to me – I don’t care if she likes me or not. I saw her real face early on, at one of our meetings, and had that analysis confirmed during my script read through. I don’t like her, and I don’t want to be her friend. She’s got nothing to hook me with, nothing to hold over me, nothing to use against me. Wanna diss me on my work, my looks, my age? Go on! Nothing I haven’t said to myself. Nothing you’re gonna say that’s any worse or harder than what my own brain comes up with to taunt me. I shall laugh. Laugh at her, laugh at her attempts to unhinge me.

No, I’m not the child I was. I’m a whole new animal.

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